2024 was a crazy year for K-pop! Don’t you agree? So many impressive releases dominating the K-pop industry last year that they just filled brilliantly in our playlist. But if you’re looking for best of the best, the Grammy Awards has just exactly that for you. From all the greatest releases in 2024, GRAMMYs has picked 10 of the Best Kpop songs in 2024 worthy of permanent repeats in your playlist. So, what are they? And why did GRAMMYs choose these songs? Dive deeper into the list with us and see if your favorites were chosen.
Best 2024 Kpop Songs Worth to Add to Your Playlist – According to GRAMMYs
1. RIIZE — “Impossible”
Firstly, on the GRAMMYs list of best 2024 K-pop songs is “Impossible” by RIIZE. The GRAMMYs described the song as an explosive entry from SM Entertainment’s newest boy group.
Citing the track’s upbeat house rhythm reminiscent of the early 2000s, GRAMMY.com emphasized how “Impossible” arrived like a timeless classic even though it only dropped in April 2024. They also noted the song’s fusion of nostalgic grooves with a spirited, youthful energy that underscores RIIZE’s bright potential and sets the tone for their promising debut mini album.
2. aespa — “Supernova”
Secondly, the GRAMMYs praised aespa’s “Supernova” for showcasing the group’s bold creativity as the one of the best K-pop songs in 2024.
Describing the track as “deliriously addictive,” GRAMMY.com highlighted how “Supernova” managed to eclipse its own status as a mere teaser, quickly topping charts in South Korea and Hong Kong. The publication also pointed out the thrilling dance breakdown that samples Afrika Bambaataa’s “Planet Rock,” which contributed to the single’s euphoric, futuristic vibe.
3. Kep1er — “Shooting Star”
According to the GRAMMYs, Kep1er’s “Shooting Star” exemplified the group’s commitment to pushing the boundaries of K-pop. The song arrived as a tribute to their original nine-member lineup, following news that seven members renewed their contracts.
Not only that but GRAMMYs also commended the track’s layered synthwave undertones and angelic vocals. These iconic characteristics successfully celebrated the larger-than-life message that hinted at Kep1er’s ongoing evolution.
Despite the bittersweet moment, the single’s uplifting quality cemented its position as one of best K-pop songs in 2024, according to GRAMMYs.
4. Taemin — “Crush”
Next, The GRAMMYs applauded Taemin for once again redefining the boundaries of K-pop on “Crush.”
The publication then emphasized how Taemin’s 10-year solo career has been a blueprint for innovation. And “Crush” continued that tradition by perfectly capturing his flair for melding pulsing electro-funk with a sultry, almost confessional ambience.
GRAMMYs also highlighted the way the song channels the tension of forbidden desires. This then further solidifying Taemin’s reputation as one of the industry’s most daring artists.
5. ZEROBASEONE — “Good So Bad”
Meanwhile, GRAMMYs recognized “Good So Bad” as a bittersweet gem from ZEROBASEONE. They noted the group’s temporary status, set to disband in early 2026, which adds a layer of poignancy to their music.
“Good So Bad” was lauded for its lush, synth-driven backdrop, upbeat melodies, and nostalgic undercurrent. According to the GRAMMYs, the track’s youthful energy and strong group synergy made it an unforgettable highlight of 2024.
6. RESCENE — “Love Attack”
Hailing RESCENE as one of the most captivating new acts of 2024, the GRAMMYs pointed to “Love Attack” as proof of the group’s instant appeal.
In the feature, GRAMMYs drew attention to the song’s airy, Swedish pop-inspired chorus that conjures a sense of weightlessness. They quoted fan reactions calling “Love Attack” the “most K-popiest song” in a while. That unanimous praise underlined the track’s classic K-pop charm and RESCENE’s ability to gain attention with their impressive material.
7. LE SSERAFIM — “Crazy”
At the same time, GRAMMYs celebrated LE SSERAFIM’s “Crazy” for its playful, boundary-pushing style. They highlighted how the title track off their fourth EP CRAZY injected 2024 with iconic lines—most notably, “All the girls are girling girling”—and a choreography sequence featuring Sakura’s memorable duckwalk.
The GRAMMYs also noted the track’s homage to ballroom culture and lauded the group’s fearless approach to blending pop references and social commentary, making “Crazy” one of the year’s most talked-about releases.
8. BOYNEXTDOOR — “Dangerous”
According to the GRAMMYs, BOYNEXTDOOR’s “Dangerous” stood out not just for its catchy, hip-hop-inspired beat, but for the group’s standout charisma and comedic undertones.
GRAMMYs mentioned how the group used witty lines—like the cautionary “Mom and dad should not hear this song”—to poke fun at youthful rebellion. As a result, the GRAMMYs praised the song for its carefree vibe, showcasing BOYNEXTDOOR’s fresh and playful take on K-pop.
9. BAEKHYUN — “Pineapple Slice”
Similarly, The GRAMMYs praised BAEKHYUN’s “Pineapple Slice” as a showcase of the creative freedom that comes with artistic control.
After his military service and launching his own label, the EXO member blended R&B influences into a sweet-yet-sour melody. Described as “mysterious and bubbly,” the track highlights BAEKHYUN’s smooth vocals and subtle nods to Michael Jackson’s style.
10. KISS OF LIFE — “Igloo”
Rounding out the GRAMMYs list of top K-pop songs in 2024, “Igloo” by KISS OF LIFE showcased the group’s continued knack for reinventing second-gen K-pop elements. They highlighted the quartet’s confident, flirtatious approach to trap beats as a key reason for their inclusion on the list.
By lyrically painting themselves as so “dang hot” they can melt an igloo, the group carried a cool-girl attitude that resonated with fans and confirmed KISS OF LIFE’s upward momentum.
Finally, are your favorites among GRAMMYs best K-pop songs 2024? Or did they inspire you to try something new? Whichever the case, there’s no denying that these tracks have successfully ruled K-pop in 2024
And now, buckle up! Because if it’s any indication, K-pop will keep surprising us in 2025, filling our playlists with bops we never knew we needed!
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Source: GRAMMY.com.
